Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1874
Mapmaker / artist
F. X. Zettler, Munich, 1874
Technique
Chromolithograph
Sheet size
66 × 48 cm (26.0 × 18.9 in)
Condition
Good
Reference
BG-14257-3-32
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Good antique condition overall with age-related toning and scattered foxing mainly visible in the margins. Light handling wear consistent with age. Colors remain vibrant and well preserved.
This decorative antique chromolithograph was published in Munich in 1874 by F. X. Zettler and issued as part of the renowned portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München. The publication documented the sacred treasures preserved within the Reiche Kapelle (Rich Chapel) of the Munich Residenz during the reign of King Ludwig II of Bavaria, aiming to preserve and disseminate the artistic heritage of the Bavarian royal court and its exceptional ecclesiastical craftsmanship.
The print illustrates an elaborate liturgical textile or vestment design, richly ornamented with symmetrical scrolling foliage, gilded decorative motifs, and sacred monograms rendered in radiant medallions. The refined composition reflects the revival of medieval and Renaissance ecclesiastical ornament admired in nineteenth-century historicism. The intricate patterning demonstrates the extraordinary level of craftsmanship associated with royal chapel furnishings, where symbolism, devotion, and artistic refinement were inseparably linked.
Executed using advanced chromolithographic techniques, the print achieves remarkable color depth and precision. Zettler’s Munich workshop was internationally celebrated for producing some of the finest color prints of the period, capable of faithfully reproducing textile textures, metallic ornament, and subtle tonal transitions. The rich burgundy ground, luminous gold detailing, and balanced vertical format give the work a strong decorative presence, making it particularly appealing for both traditional and contemporary interiors.
Originally intended as both scholarly documentation and artistic reproduction, plates from this portfolio allowed collectors, designers, and institutions to study royal ecclesiastical objects outside their architectural setting. Today, individual sheets are appreciated equally as historical documents and sophisticated decorative artworks. The elegant symmetry and ornamental clarity make this example especially suitable for interior designers seeking structured visual rhythm within a curated wall arrangement.
The chromolithograph is offered unframed, allowing flexibility for custom framing according to personal taste or interior requirements.
Framing suggestions: A dark walnut, gilt, or ebonized frame combined with a generous ivory or museum-white mat enhances the richness of the chromolithographic colors. Deep matting emphasizes the textile-like verticality and gives the print a refined gallery presentation.
