Fashion & Costume · 19th century
€ 280
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Good antique condition with age-related toning and light scattered spotting mainly confined to the margins. Plate mark present. Original embossed blind stamp visible as issued.
Chinese Wind Chariot Merchant – Ferrario Costume Print, Hand-Colored c.1815
This finely hand-coloured copperplate engraving depicts a Chinese itinerant merchant operating a remarkable “wind chariot,” a single-wheeled transport cart fitted with a sail designed to harness favorable winds. The scene shows the merchant pushing the vehicle across an open landscape while the mounted sail assists propulsion, illustrating an ingenious form of traditional transportation that fascinated European observers during the early nineteenth century.
The print originates from Giulio Ferrario’s celebrated ethnographic series Il Costume Antico e Moderno di Tutti i Popoli (Costumes Ancient and Modern of All Peoples), published in Milan circa 1815. Created by Andrea Bernieri for Ferrario’s ambitious publication, the engraving formed part of a vast visual encyclopedia intended to introduce European audiences to global cultures, technologies, and daily life. Ferrario’s work combined scholarship, travel accounts, and artistic interpretation, becoming one of the most influential illustrated costume and customs publications of its era.
The composition focuses on both human activity and mechanical innovation. The merchant, dressed in practical working attire, leans forward with visible effort as he guides the cart, while the sail rises prominently above the load. Carefully rendered details reveal baskets, tools, goods, and personal belongings secured to the vehicle, emphasizing its role as a mobile livelihood. European artists frequently depicted such wind-powered wheelbarrows as symbols of Chinese ingenuity, highlighting adaptive technologies developed long before industrial mechanization in the West.
Delicate contemporary hand colouring enhances the clarity of the engraving, drawing attention to the blue sail and the warm tones of wood and textiles. The restrained background keeps the viewer’s attention on the ingenious design of the cart and the figure’s movement, creating a composition that is both documentary and visually elegant. Each impression was coloured by hand at the time of publication, giving every example subtle individuality.
Ferrario engravings are prized today for their ethnographic importance and decorative appeal, offering insight into early nineteenth-century European perceptions of global innovation and everyday life. This print works particularly well as a standalone statement piece or grouped with other Asian subjects from the same series.
The engraving is offered unframed, allowing flexibility to select a frame suited to classical or contemporary interiors.
Condition:
Good antique condition with age-related toning and light scattered spotting mainly confined to the margins. Plate mark present. Original embossed blind stamp visible as issued. Minor handling wear consistent with age; image area remains clean and well preserved.
Framing tips:
A dark walnut, bamboo-style, or minimalist black frame paired with an ivory mat complements the refined hand colouring and horizontal composition. Museum glass is recommended for protection and clarity. Particularly attractive when displayed alongside other Ferrario plates depicting Asian life and technology.
Technique: Hand-coloured copperplate engraving
Maker: Andrea Bernieri after Giulio Ferrario, Milan, circa 1815
