Chinese Gods Confucius, Lanzu and Fe – Ferrario Costume Series Print, 1815

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Chinese Gods Confucius, Lanzu and Fe – Ferrario Costume Series Print, 1815

This finely hand-colored copperplate engraving depicts an allegorical gathering of Chinese deities and philosophical figures, identified here as Confucius, Lanzu, and Fe, presented within a symbolic and theatrical composition typical of early nineteenth-century European ethnographic imagery. The plate was engraved by Luigi Giarre and published in 1815 as part of Giulio Ferrario’s influential Le Costume Ancien et Moderne, a monumental illustrated survey intended to document global customs, religious practices, and cultural traditions through costume and iconography.

The composition arranges the principal figures upon clouds, emphasizing their elevated spiritual status. Each deity is shown in elaborate ceremonial attire, reflecting European interpretations of Chinese philosophical and religious authority. Confucius appears as a dignified scholar figure, reinforcing his role as moral philosopher and teacher, while Lanzu and Fe represent additional mythological or spiritual archetypes as understood through contemporary Western scholarship. Surrounding attendants, warriors, and symbolic figures add narrative complexity, while the presence of a dragon motif underscores traditional Chinese associations with cosmic balance, imperial authority, and spiritual power.

Ferrario’s ambitious publication blended scholarly intent with imaginative visual interpretation, shaping how European audiences encountered Asian cultures during the early nineteenth century. Luigi Giarre’s engraving displays refined linework and carefully applied hand coloring, producing a vivid and decorative image that balances ethnographic interest with artistic appeal. Today, plates from Le Costume Ancien et Moderne are sought after for their historical significance, cross-cultural context, and suitability for refined interior display. The strong vertical format and vibrant palette make this engraving particularly attractive for collectors interested in Asian subjects, religious iconography, or early travel imagery.

Condition report: Strong plate impression with visible plate mark. Light age toning and minor handling wear consistent with bound plates. Original embossed blind stamp visible, as issued, with possible light overlap into the image area. Hand coloring remains fresh and well preserved.

Framing tips: A dark walnut or black lacquer frame with a warm ivory mat enhances the vivid colors and structured composition. A generous mat border emphasizes the dramatic vertical arrangement and works well in both classical and contemporary interiors.