Greek Manuscript Hands, Saint Paul to Oppian, Antique Chromolithograph, 1849
€ 190
Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1849
Mapmaker / artist
A. Racinet (calligrapher)
Publisher
Administration, 5 rue du Pont-de-Lodi, Paris (chromolithographed by Lemercier, Paris)
Technique
Chromolithograph
Coloring
Printed color
Sheet size
21 × 28 cm (8.3 × 11.0 in)
Condition
Good
Reference
BG-12228-2-3
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Light uneven toning, browner towards the edges. Marked handling soiling along the bottom, left and right edges. A few small foxing spots in the margin. All four corners complete.
About this sheet
Five panels of Greek script, each cut from a different manuscript in the Bibliotheque nationale in Paris and reproduced letter for letter. The sheet is lettered with the sources: the Epistles of Saint Paul of the seventh century, two manuscripts of Saint Gregory of Nazianzus of the ninth and tenth, a book of prayers with commentaries of the tenth, and at the foot the hand of Angelos Vergikios, the Cretan calligrapher who wrote for Francis the First, in a sixteenth century Oppian. Scarlet uncials run across the upper panels against a ground of ochre.
The plate belongs to the second volume of Lacroix and Sere's Le Moyen Age et la Renaissance, Paris, 1849, a work that set out to describe the manners, trades, sciences, letters and fine arts of Europe between the fall of Rome and the end of the sixteenth century. Each sheet was drawn from the original object or manuscript and printed in chromolithography, a process still new in 1849 and here used with unusual richness.
Calligraphers and type designers buy these palaeographic plates for the lettering itself, and they hang unexpectedly well in a modern interior because the letterforms read as pure pattern from across a room. The sheet works alone above a desk, and it pairs naturally with any of the other script plates from the same volume.
Light uneven toning, browner towards the edges. Marked handling soiling along the bottom, left and right edges. A few small foxing spots in the margin. All four corners complete.
This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.