About this sheet
Chevalier Banneret Praying Before Departure for the Second Crusade, France 1146
A dramatic and historically resonant original 19th-century hand-colored engraving depicting a banneret knight kneeling in prayer before his departure for the Second Crusade in 1146. This plate originates from the French series Costumes civils et militaires des Français à travers les siècles, published in Paris by F. Roy and conceived as a scholarly visual survey of French civil and military dress across the centuries.
The composition centers on a fully armed knight in ceremonial armor, kneeling beside his saddled warhorse, while his banner bearing heraldic devices rises prominently behind him. The scene conveys a moment of solemn devotion and ritualized preparation, combining religious symbolism with the material culture of medieval warfare. The detailed rendering of mail armor, surcoat, shield, saddle, and banner reflects the 19th-century fascination with medieval chivalry and crusading history, informed by contemporary historical and antiquarian research.
Unlike purely costume plates, this image functions as a narrative tableau, evoking the spiritual and feudal obligations that framed crusading expeditions. The subject is closely associated with the call to the Second Crusade following the fall of Edessa, placing the scene firmly within one of the defining episodes of medieval European history. Its strong vertical composition and restrained background give the figure and horse commanding visual presence, making the print especially effective as a standalone decorative work.
This plate is particularly appealing to collectors of medieval history, crusader iconography, and historical military art, as well as to interior designers seeking a powerful statement image with both narrative depth and visual gravitas.
Condition:
Good antique condition overall. Light age toning and scattered foxing consistent with 19th-century paper. Minor edge wear and soft handling creases, largely confined to the margins. The image remains clear and richly hand colored. No restorations observed.
Framing suggestions:
Well suited for presentation as a single statement piece. Dark walnut, ebonized wood, or antique black frames complement the subject matter effectively. A generous ivory or warm off-white mat will enhance the central scene and balance the aged paper tone. Museum glass recommended.
Technique: Engraving with original hand coloring
Maker: F. Roy (éditeur), Paris, circa 1860
