Insects & Arachnids · 19th century
€ 170
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Very good. Age-related toning and/or occasional minor defects from handling. Light offsetting of text from another page. Please study scan carefully.
An antique hand-colored print by Pierre Auguste Joseph Drapiez, a Belgian naturalist and artist. The print contains depictions of various insects and microorganisms:
1. **Forficule crocipenne:** This refers to a species of earwig. "Forficule" is an old term used for earwigs, and "crocipenne" might indicate a particular species or feature of an earwig.
2. **Mante chlorophée:** This refers to a praying mantis ("Mante religieuse" in French) known for its green coloration. "Chlorophée" may indicate a green color or species-specific feature.
3. **Blatte peinte:** "Blatte" generally refers to a cockroach. "Peinte" translates to "painted" or possibly "colorful." This could represent a colorful or distinct species of cockroach.
4. **Bactérie scabreuse:** "Bactérie" translates to "bacterium," but it's unclear how it's represented in a print of insects. "Scabreuse" might imply a bacterium associated with scabies or having a rough or scabby appearance.
5. **Phyllie feuille:** This refers to a leaf insect, often known as "Phyllium" or "feuille d'épines," due to its resemblance to leaves or foliage.
These descriptions hint at an assortment of insects, including an earwig, praying mantis, cockroach, leaf insect, and a bacterium, each possibly distinguished by specific features or colors. Drapiez was known for his detailed and accurate illustrations of various organisms, contributing to the scientific knowledge of his time.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
