Botany · 20th century
€ 330
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Very good antique condition. Light, even age toning consistent with age. Minor scattered spots or faint marks may be present. Hand coloring remains fresh and well balanced.
This refined set of four original hand-colored botanical plates forms a visually coherent and highly decorative group, ideal for both classic and contemporary interiors. The prints originate from English Botany; or, Coloured Figures of British Plants, Third Edition, edited by John T. Boswell Syme and published in London by George Bell & Sons in 1902. Although produced at the beginning of the 20th century, the illustrations are based on the renowned earlier work of James Sowerby and J.E. Sowerby, whose botanical plates remain authoritative benchmarks for scientific accuracy, compositional clarity, and understated beauty.
The quartet depicts four closely related species of chervil: Common Chervil (Chaerophyllum anthriscus), Garden Chervil (Chaerophyllum cerefolium), Wild Chervil (Chaerophyllum sylvestre), and Rough Chervil (Chaerophyllum temulum). Each plate presents the plant in full profile, with finely engraved stems, delicately divided foliage, and characteristic umbel flowers, accompanied by precise studies of seeds and floral structures. The restrained palette of soft greens, pale yellows, and subtle natural shading creates a calm, organic rhythm across the set.
When displayed together as a two-by-two arrangement, the plates form a balanced and elegant wall composition. The generous use of negative space, typical of English Botany, allows the forms to breathe and makes the set especially suitable for modern, Scandinavian, country-house, or kitchen interiors. This group appeals equally to collectors of historic botanical illustration and to interior designers seeking authentic antique works that combine scholarly interest with strong decorative impact.
Condition report:
Very good antique condition. Light, even age toning consistent with age. Minor scattered spots or faint marks may be present. Hand coloring remains fresh and well balanced.
Framing tips:
Best presented as a unified four-plate arrangement, either in one large frame with individual window mats or as four matching frames hung in a square grid. Use warm ivory or soft white mats to complement the paper tone. Natural oak, walnut, or muted black frames enhance both traditional and contemporary interiors.
Technique: Hand-colored engraving
Maker: James Sowerby & J.E. Sowerby (after), England, published London 1902
