Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1869
Mapmaker / artist
Firmin-Didot, Paris, after A. Racinet, c.1869
Technique
Chromolithograph
Sheet size
40.4 × 28.8 cm (15.9 × 11.3 in)
Reference
BG-13766-27
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Very good condition. Paper is strong, with bright, saturated colors. Light age-toning in the margins and a few faint foxing marks lower right, outside the image area. No tears or repairs.
About this sheet
Arabian Ornament Print – Antique Lithograph of Islamic Geometric and Floral Medallions, c.1869
This brilliant chromolithograph showcases a stunning selection of Arabian ornamental medallions, blending floral motifs with geometric precision and intricate calligraphy. Plate XXVII from L'Ornement Polychrome, it captures the mathematical beauty and spiritual elegance of Islamic design as seen in manuscript illumination, ceramic tiles, and architectural decoration across the Islamic world.
The composition features an array of circular and polygonal motifs, densely arranged against a soft terracotta ground. The central medallion draws the eye with its layered symmetry and complex interlacing of floral arabesques in sapphire blue, emerald green, crimson, and gold. Surrounding it are additional medallions—each a study in radial balance—showcasing star patterns, scrolling foliage, and stylized floral knots. Some of the designs incorporate calligraphic inscriptions in ornate Kufic and Thuluth scripts, suggesting Qur'anic or poetic text, often used in religious architecture and books.
The overall visual rhythm is both harmonious and dynamic, echoing the principles of unity and infinity central to Islamic aesthetics. The precision of the repeating patterns and their balance of positive and negative space reflect the intellectual and spiritual ideals of Islamic art, where abstract beauty is used to convey divine order.
Produced in Paris around 1869 by Firmin-Didot and lithographed by Durin, this plate is part of Racinet’s influential design compendium. It was printed using the chromolithographic process, which allowed for vibrant, layered coloration and minute detailing—a perfect match for reproducing the complexity of Islamic ornamentation.
This print served as a key design source for 19th-century architects and designers during the Orientalist revival. Its visual language influenced a wide range of decorative arts, from ceramics and stained glass to textiles and wallpaper.
Framing tips: A deep wood frame in walnut or dark bronze will suit the ornate detailing. A wide mat in ivory, warm sand, or deep blue will emphasize the richness of the colors and highlight the central medallion.
