Art, Myth & Old Masters · 18th century
€ 160
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
The print is in good condition, with crisp lines and minimal foxing typical of works from the late 18th century. The paper is well-preserved, retaining a soft, natural patina that enhances its antique charm.
The Abandonment of Ariadne on Naxos by Theseus: A Classical Myth Depicted by Tommaso Piroli, 1789
This captivating copperplate engraving, created by the Italian engraver Tommaso Piroli in 1789, depicts the mythological scene of Ariadne abandoned on the island of Naxos by Theseus. The print comes from Piroli’s celebrated work 'Antichita di Ercolano' (Antiquities of Herculaneum), published in Rome. This monumental publication was dedicated to documenting the remarkable archaeological discoveries from Herculaneum and Pompeii, providing detailed engravings of ancient art and artifacts.
The upper part of the engraving portrays the forlorn figure of Ariadne, reclining on a draped rock formation, gazing sorrowfully at the departing ship of Theseus. The vessel, a classical galley with oars and sails, swiftly leaves the shores of Naxos, emphasizing the finality of her abandonment. The rocky landscape and the distant horizon create a dramatic contrast, reinforcing the emotional depth of the scene. Ariadne's flowing robes and graceful posture are masterfully rendered, capturing both her vulnerability and her regal presence as a princess of Crete.
In the lower section, the engraving features an ornamental frieze depicting goats and a classical urn surrounded by garlands. This decorative element highlights the aesthetic influence of ancient Roman and Greek motifs, often present in the decorative arts of the late 18th century. The balanced composition and symmetry of this lower vignette complement the mythological drama above.
Tommaso Piroli was a distinguished engraver renowned for his precise and elegant technique, working closely with prominent artists and scholars of his time. His illustrations for *Antichita di Ercolano* are invaluable as they provide a glimpse into the artistic heritage uncovered during the excavation of the ancient cities buried by the eruption of Mount Vesuvius in 79 AD. Piroli’s engravings served not only as artistic reproductions but also as scholarly documentation of classical antiquity.
What makes this engraving particularly fascinating is its combination of mythological storytelling and archaeological context. The portrayal of Ariadne reflects the neoclassical fascination with ancient themes, inspired by both literary sources and material culture uncovered at Herculaneum. The engraving technique showcases fine line work, meticulous shading, and an eye for classical proportions, which were hallmarks of Piroli's craftsmanship.
Condition: The print is in good condition, with crisp lines and minimal foxing typical of works from the late 18th century. The paper is well-preserved, retaining a soft, natural patina that enhances its antique charm.
Framing tips: To properly display this piece, consider framing it with an ornate gilt frame or a classical black and gold combination, along with a cream-colored mat that echoes the print’s neoclassical elegance.
