Other Prints · 20th century
€ 1 850
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
for its age, with strong contrasts and rich tonality. Very light toning to the sheet edges, with original studio mounting still present.
The Prisoner – Original Illustration by Charles Burki, 1965
This haunting original gouache illustration by Charles Burki (1909–1994), signed and dated 1965, stands among the artist’s most powerful and emotionally charged works. It portrays a gaunt prisoner behind barbed wire, his striped uniform and hollow eyes evoking both human suffering and the resilience of spirit. Draped in a thin blanket, the man holds an empty metal bowl — a simple but devastating symbol of deprivation and survival.
The stark monochrome palette, heightened by Burki’s characteristic use of light and shadow, creates a deeply moving psychological portrait. Every brushstroke conveys empathy rather than sentimentality: the weary eyes, cracked lips, and torn fabric speak of endurance, not despair. Burki’s precision and restraint make the image all the more striking — a universal reminder of the cost of war and the fragility of humanity.
This work gains particular resonance when viewed in the context of Burki’s own life. Born in Bandung, Dutch East Indies, Burki was a gifted architect and artist whose career was interrupted by World War II. He was imprisoned by the Japanese, surviving both the bombing of a prisoner transport ship and the atomic bombing of Nagasaki. These traumatic experiences shaped his worldview and artistic expression, infusing his postwar illustrations with empathy, realism, and moral weight.
Created two decades after the war, The Prisoner reflects Burki’s continuing confrontation with memory — a visual elegy to the millions who endured captivity and loss. It was likely executed for a postwar publication or exhibition addressing the human consequences of war and survival.
Condition: Excellent for its age, with strong contrasts and rich tonality. Very light toning to the sheet edges, with original studio mounting still present.
Framing tips: Best presented in a simple black or dark oak frame with a neutral off-white mat. The monochrome tones and emotional intensity benefit from understated presentation and non-reflective glass.
Technique: Gouache and ink on paper
Maker: Charles Burki, Dutch, 1965
