Mosque of Mahmoud II at Tophana, Antique Allom Engraving, circa 1850
€ 230
Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
circa 1850
Mapmaker / artist
Thomas Allom
Publisher
Peter Jackson, late Fisher, Son and Co., The Caxton Press, London
Technique
Steel Engraving
Coloring
Uncolored
Sheet size
27 × 21 cm (10.6 × 8.3 in)
Condition
Good
Reference
BG-14186-2-39
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Even age toning. Handling soiling along the bottom, left and top edges. Scattered light foxing in the margin. All four corners complete.
About this sheet
This original antique steel engraving, Mosque of Mahmoud II at Tophana, is a plate from the second volume of The Turkish Empire Illustrated, published in London by Peter Jackson about 1850. The upright plate shows the mosque of Mahmud the Second at Tophana rising directly from the Bosphorus shore, its slender paired minarets carried high above the dome, with sailing craft and caiques on the water in front of the terrace.
The engraving belongs to Peter Jackson's issue of the Allom and Walsh Turkish Empire Illustrated, printed at the Caxton Press in London about 1850 from plates first made for Fisher's Illustrations of Constantinople and its Environs. Allom trained as an architect before he became a topographical draftsman, which is why his buildings are measured rather than merely picturesque, and the London engravers who worked up his drawings were among the leading engravers of the day.
The upright format suits the subject, because the Nusretiye at Tophana is one of the most vertical of the late Ottoman baroque mosques. It was built to commemorate the destruction of the Janissaries in 1826. This is a steel engraving worked by a named London engraver from Allom's own drawing. Impressions from the series were issued without color, and a sheet that has never been colored later is the one collectors of the series prefer. The publisher's imprint is printed centered beneath the title, and on this sheet it reads for Peter Jackson's London and Paris issue. It frames well on its own over a desk or a chest, and it is equally at home in a group with other Ottoman and Levantine views, where the uniform plate size of the series makes an even wall.
Even age toning. Handling soiling along the bottom, left and top edges. Scattered light foxing in the margin. All four corners complete.
This is an original antique print, not a modern reproduction. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.
