Rare Engraving of Hindu Deity Virapatrin, Antique Print Published in 1806
€ 190
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Date
1806
Sheet size
28.5 × 21.5 cm (11.2 × 8.5 in)
Condition
Good
Reference
BG-13429-57
Condition
Condition Report: The print shows minor age-toning and light foxing along the edges. The central image remains clear and intact, with no significant damage or fading. Overall, in good condition for its age.
About this sheet
Rare 1782 Sonnerat Engraving of Hindu Deity Virapatrin, Antique Print This striking antique print, titled "Virapatrin," was created by the French naturalist and explorer Pierre Sonnerat in 1782. Published in his seminal work "Voyage aux Indes Orientales et à la Chine," this engraving captures a detailed depiction of the Hindu deity Virapatrin, a fierce form often associated with divine protection and power.
The deity is shown with multiple arms, each holding symbolic items such as a trident, a bell, and a bow, standing beside a smaller figure in a posture of reverence.
The intricate linework and shading reflect the high skill of 18th-century French engraving techniques, specifically copperplate engraving, which allowed for fine details and depth in the illustration. Sonnerat's work is renowned for its documentation of South Asian culture, flora, and fauna during his travels, making this print a valuable historical and cultural artifact.
What makes this print particularly interesting is its blend of ethnographic observation and artistic interpretation, offering a Western perspective on Hindu iconography during a period of early European exploration in India.
The print also serves as a window into the colonial fascination with the "exotic" East, a theme prevalent in Sonnerat's broader body of work. The page number "58" and the signatures "P. Sonnerat pinx." (painted by) and "Poisson sc." (engraved by) add authenticity and context to its origin. This piece is a must-have for collectors of antique prints, religious art, or those interested in the history of cross-cultural exchanges between Europe and Asia during the Enlightenment era.
Condition Report: The print shows minor age-toning and light foxing along the edges. The central image remains clear and intact, with no significant damage or fading. Overall, in good condition for its age.
Framing Tips: Use an acid-free mat to prevent discoloration, and opt for UV-protective glass to shield from light damage. A simple wooden frame with a gold accent complements the antique aesthetic. Ensure the print is not pressed directly against the glass.
