Figures & Portraits · 17th century
€ 369
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Good condition for its age, with age-related toning and some spotting, mainly in the margins. The engraving remains clear with a strong impression. Plate mark visible.
Baroque Portrait Henricus Herdingh, Peace of Westphalia Diplomat, c.1650
This refined mid-17th-century copperplate engraving presents an elegant portrait of Henricus Herdingh, a German diplomat and legal figure associated with the historic Peace of Westphalia. The portrait is rendered within an elaborate Baroque oval cartouche, richly decorated with scrollwork, heraldic elements, and allegorical figures, exemplifying the sophisticated engraving style of the period.
Herdingh is depicted with composed dignity, dressed in formal attire befitting his status, with fine detailing in the lace collar and garments. The surrounding inscription identifies his role as a hereditary official and representative connected to the city of Münster, where crucial negotiations took place during the peace conferences of 1648. These negotiations ultimately concluded the Thirty Years’ War, one of the most significant political and religious conflicts in European history.
The engraving is based on a portrait by Anselmus van Hulle, the Flemish artist commissioned to document the key diplomats and envoys present at Münster and Osnabrück. It was engraved by Cornelis Galle the Younger, a master engraver known for his precise line work and ability to translate painted portraits into highly refined prints. This portrait belongs to a celebrated series depicting the prominent figures involved in the Peace of Westphalia, making it both historically important and visually striking.
The ornate cartouche, complete with heraldic crest and decorative flourishes, enhances the print’s decorative appeal, making it particularly suitable for display. The combination of portraiture, historical significance, and Baroque ornamentation makes this engraving an excellent addition to collections focused on European history, portrait prints, or 17th-century art.
As a decorative object, the engraving works beautifully in classic interiors, studies, or gallery walls featuring portraits or historical subjects. It pairs well with other portraits from the Westphalia series or with maps and prints of the same period.
Condition: Good condition for its age, with age-related toning and some spotting, mainly in the margins. The engraving remains clear with a strong impression. Plate mark visible.
Framing tips: Best presented with a generous ivory or museum-white mat to highlight the plate mark and ornate cartouche. A dark walnut or ebonized frame enhances contrast and gives the piece a refined, museum-quality appearance.
Note: The image is an original antique engraving and not a reproduction. The engraving is sold unframed.
Technique: Copperplate engraving
Maker: Cornelis Galle the Younger (after Anselmus van Hulle), Antwerp, circa 1650
