Figures & Portraits · 19th century
€ 349
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Good antique condition with age-related toning and scattered foxing, mainly in the margins and lower sheet. The engraved image remains strong and crisp. Plate mark visible.
Antique Shakespeare Engraving, Julius Caesar, Brutus and Strato, Boydell, 1802
This early 19th-century copperplate engraving illustrates a dramatic scene from William Shakespeare’s Julius Caesar, specifically Act V, Scene V, showing the final moments of Marcus Brutus after the Battle of Philippi. Defeated and unwilling to be taken, Brutus prepares to fall upon his own sword with the assistance of his loyal companion Strato. The composition captures the tense instant before his death, with both figures shown in classical armor and theatrical poses that reflect the neoclassical taste of the period.
The engraving was painted by Richard Westall, R.A., one of the leading British historical and literary painters of the late Georgian period. Westall was particularly admired for his Shakespearean subjects and for his ability to combine dramatic narrative with refined figure design. The plate was engraved by Samuel Noble, whose careful linework and tonal control translate Westall’s composition into a highly detailed printed image.
This print was published on December 1, 1802 by J. and J. Boydell at the Shakespeare Gallery, Pall Mall and at No. 90 Cheapside, London. It belongs to the great Boydell Shakespeare project, one of the most ambitious illustrated publishing enterprises of the period, intended to celebrate Shakespeare through commissioned paintings and engravings by leading British artists.
The scene is titled Julius Caesar, Act 5, Scene 5, Brutus and Strato, and it presents a striking example of literary illustration from the golden age of British engraving. The dense engraved surface, dramatic shading, and elegant figure drawing give the print both visual power and historical significance. It is appealing to collectors of Shakespeareana, theatrical prints, classical subjects, and fine English engravings of the Georgian era.
Condition: Good antique condition with age-related toning and scattered foxing, mainly in the margins and lower sheet. The engraved image remains strong and crisp. Plate mark visible.
Framing tips: This print would frame beautifully in a dark walnut, gilded, or ebonized frame with a warm ivory mat. The generous margins make it especially suitable for a refined library, study, or classic interior.
Technique: Copperplate engraving
Maker: Samuel Noble after Richard Westall, England, 1802
