Emblems & Satire · 18th century
€ 530
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Condition Report: The Bathos print has slight edge wear, minor foxing, and faint creases, but mostly well outside the image. Colors remain vibrant, no tears, good state for age.
Dive into the captivating world of 18th-century satire with this rare 1753 print, "The Bathos, or Manner of Sinking in Sublime Paintings," by the renowned English artist William Hogarth.
Known for his sharp wit and masterful engravings, Hogarth created this piece as his final work, published just months before his death in 1764.
This print, designed by Hogarth and engraved by T. Cook, is a biting commentary on the art world's obsession with grandiose, overblown themes, often at the expense of genuine creativity. The title itself mocks the idea of "sinking" in art, a clever jab at the pretentiousness of his contemporaries.
What makes this print so fascinating is its rich symbolism and chaotic composition. A winged figure, representing a fallen genius, lounges amidst a surreal landscape of broken structures, scattered art supplies, and a sign reading "The World's End." The scene is filled with allegorical elements: a crumbling tower, a noose, and a burst of light symbolizing fleeting inspiration.
Hogarth's use of classical references, like the conic form of beauty from Paphos, Cyprus, adds depth, while his biting inscriptions critique the art market's superficiality.
This piece is a must-have for collectors of historical art, satire enthusiasts, or anyone seeking a unique conversation starter. Its intricate details and historical significance make it a standout addition to any collection, offering a window into Hogarth's genius and the cultural debates of his time. Perfect for display in a study, gallery, or vintage-inspired space, this print is a testament to Hogarth's enduring legacy as a pioneer of social commentary through art.
Condition Report: The Bathos print has slight edge wear, minor foxing, and faint creases, but mostly well outside the image. Colors remain vibrant, no tears, good state for age.
Frame Hogarth's 1753 "The Bathos" with archival materials, UV glass, double matting (off-white inner, taupe outer), and a dark walnut frame. Use soft neutrals or muted burgundy for mats to complement the grayscale print and preserve its antique charm.
