Architecture & Design · 17th century
€ 540
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Very good, almost excellent. Visible plate mark. Very good antique condition with one -hardly visible- crease in left top outside the image. Later hand-coloring.
This historical print, titled "Cüria in Suburbio Australi Holmiae," illustrates the Southern Courthouse of Stockholm, which today houses the Stockholm City Museum. Created in 1691 by the artist Willem Swidde, this copperplate engraving is a part of the renowned work "Suecia Antiqua et Hodierna."
The scene captures the courthouse in intricate detail, reflecting the architectural style of the era. The foreground is alive with the hustle and bustle of 17th-century city life, depicting citizens in period attire. Carriages and pedestrians enliven the cobblestone streets, while the grandeur of the courthouse stands as a testament to the civic pride of Stockholm.
You can also see construction work in Stockholm in 1691; likely the first time the Mursmäckas are depicted. Mursmäcka, also called bruksmäcka or only smäcka, was an historical profession for women in Sweden. A mursmäcka was a female construction worker with the task of handing mortar during construction work. The profession is recorded from at least 1691 (though it is not confirmed by name until the 1830s) and discontinued in 1922. This was a very hard but common job for a poor uneducated woman during the 19th century, particularly in Stockholm. In July 1888, the Mursmäcka of Stockholm performed a great strike action which attracted considerable attention in contemporary Sweden. The newspapers called it The Women's Strike. The last mursmäcka retired in 1922.
Swidde's work is characterized by a high degree of precision and clarity, traits that are evident in the fine lines and careful rendering of this print. The courthouse is portrayed with a balanced symmetry, and each window, column, and ornamental feature is meticulously depicted.
As part of "Suecia Antiqua et Hodierna," this print contributes to the grand vision of Sweden during its time as a great power, offering a view not just of the structures, but also of the social dynamics of the age. This piece holds significance both as a work of art and as a historical document, providing insight into the urban development and cultural heritage of Stockholm. For collectors and historians alike, it offers a window into the past and the enduring legacy of Swedish architecture and society.
Willem Swidde's contributions to the world of engraving, particularly in the context of "Suecia Antiqua et Hodierna," mark him as a significant figure in the field of cartography and illustration during the late 17th century. His move from Amsterdam to Stockholm represents the cross-cultural exchange of artistic skills that was quite common during this period, particularly in the context of grand projects that aimed to document and celebrate national achievements.
Swidde's involvement with "Suecia Antiqua et Hodierna" was a major undertaking, and the fact that he engraved 76 of its plates speaks to his skill and the trust placed in him by Erik Dahlbergh. The work they produced together not only served to glorify Sweden but also to create a lasting visual record of the country's landscapes, buildings, and historical moments. Swidde's artistry ensured that these engravings were not mere reproductions of Dahlbergh's drawings but were enhanced and refined in a collaborative process.
The history of Charles X Gustav of Sweden, "De Rebus a Carlo Gustavo Sveciae Regis," also benefited from Swidde's engraving talent, with 18 plates attributed to him. This work by Samuel Pufendorf would have been an important historical document for Sweden, and Swidde's engravings contributed significantly to its visual impact.
Swidde's premature death in Stockholm cut short a promising career. Despite the lack of extensive documentation on his life, his legacy lives on through the plates he produced, which continue to be appreciated for their beauty and precision. The prints from "Suecia Antiqua et Hodierna" remain valuable for their historical and artistic merit, and they provide a fascinating glimpse into the Sweden of the past as seen through the eyes of a talented Dutch engraver who made Stockholm his home.
