Terra Allegory, Cybele Mother Earth, Antique Hand-Colored Engraving 1815
€ 280
Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1815
Mapmaker / artist
Giulio Ferrario, Milan, 1815
Technique
Hand-colored copper engraving
Sheet size
35.4 × 24.4 cm (13.9 × 9.6 in)
Condition
Good
Reference
BG-13000-3
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Good antique condition. Light overall age toning with scattered foxing, mainly in the margins. The image itself remains strong and well preserved, with fresh original hand coloring. Plate mark visible. Original publisher’s blind stamp present.
About this sheet
Terra Allegory, Cybele Mother Earth, Antique Hand-Colored Engraving 1815 This striking allegorical engraving represents Terra, the personification of Earth, shown as the classical mother goddess Cybele, also known as Rhea or Idaea Mater. She is depicted seated frontally within a temple-like architectural setting and flanked by two lions, long-standing symbols of strength, fertility, and control over the natural world. In her hands she holds a sceptre and shield, attributes that reinforce her role as a protective and foundational force within ancient cosmology.
The print was published in 1815 in Milan as part of Le Costume Ancien et Moderne, the monumental encyclopedic work compiled by Giulio Ferrario. Ferrario’s ambitious project sought to document the governments, religions, arts, sciences, and customs of ancient and modern civilizations, drawing on classical monuments and historical sources. Alongside its celebrated costume plates, the work included allegorical and historical subjects intended to place human culture within a broader symbolic and intellectual framework.
Executed in fine copperplate engraving and finished with delicate original hand coloring, the plate displays a restrained neoclassical palette dominated by cool green and stone-gray tones. These colors enhance the sculptural quality of the figure and emphasize the calm authority and balance of the composition. The architectural framing and symmetrical layout give the image a strong visual presence, making it equally suitable for a scholarly setting or as a refined decorative statement in a contemporary interior.
The sheet bears the original publisher’s blind stamp of Le Costume Ancien et Moderne, embossed into the paper at the time of issue. This dry stamp is characteristic of Ferrario’s Milan editions and serves as an important confirmation of authenticity and period. As issued, the embossed seal is visible in the sheet and may lightly overlap the image area.
The print is offered unframed, allowing for custom presentation.
Condition report: Good antique condition. Light overall age toning with scattered foxing, mainly in the margins. The image itself remains strong and well preserved, with fresh original hand coloring. Plate mark visible. Original publisher’s blind stamp present, as issued, in places lightly overlapping the image.
Framing suggestions: This allegorical engraving presents beautifully with a generous ivory or warm parchment-colored mat to emphasize the architectural symmetry. A dark walnut, ebonized wood, or muted antique gilt frame will complement its neoclassical character and suit both traditional and high-end contemporary interiors.