About this sheet
Burmese Nobleman & Noblewoman Costume Prints, Hand-Colored Pair, 1854
This attractive pair of antique hand-colored costume engravings depicts members of the Burmese upper class, presented in richly detailed traditional attire. The prints portray a nobleman and noblewoman of Burma (Myanmar), each elegantly dressed in ceremonial garments that reflect the refinement and visual splendor associated with Southeast Asian courtly culture during the 19th century.
The first print, titled “Marama of Birman uit den aanzienlijken stand,” shows a Burmese nobleman standing in flowing robes of deep crimson, turquoise, gold, and black, carrying a decorative parasol over his shoulder. His richly layered costume and distinctive headdress reflect the status and sophistication of the Burmese elite. The companion print, “Birmansche vrouw uit den aanzienlijken stand,” depicts a noblewoman gracefully holding a fan while dressed in elaborately patterned robes highlighted in soft pink, blue, white, and gold tones. Her elegant pose and refined costume create an especially decorative composition.
Together, the two prints form a highly appealing ethnographic pair, illustrating the fascination with Asian cultures found in European costume publications and travel accounts of the period. Such works introduced European audiences to distant cultures through carefully hand-colored engravings that combined documentary intent with decorative artistry. The vibrant colors, delicate linework, and generous original margins make this pair especially suitable for framing and display.
The set works beautifully as companion pieces in both traditional and contemporary interiors, particularly in Asian-inspired, colonial, or travel-themed settings. Displayed side by side, the prints create a balanced and visually striking presentation.
These are original antique engravings, not reproductions. The prints are sold unframed; any framed images are shown for presentation and interior inspiration only and may not always be to scale.
Framing tips: Particularly elegant in matching dark walnut, black lacquer, or gilt frames with wide ivory museum mats. Ideal displayed as a symmetrical pair with generous spacing between the works.
