Interrupted Club Moss, Marsh Club Moss and Alpine Club Moss – Botanicals of 1873

€ 270

Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)

Date: 1873
Mapmaker / artist: Anne Pratt, England, published 1873
Technique: Hand-colored engraving
Sheet size: 24.4 × 14 cm (9.6 × 5.5 in)
Condition: Good
Reference: BG-14198-68 & BG-14198-69 -70

What the condition grades mean

Excellent: Bright and clean, with no faults worth mentioning.
Very good: Only light signs of age, such as faint toning.
Good: Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair: Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

Condition

Moderate age toning with light scattered foxing, consistent with age; images remain clear and visually balanced.

About this sheet

Interrupted Club Moss, Marsh Club Moss and Alpine Club Moss – Botanical Triptych, 1873

This cohesive botanical triptych presents three club moss species, illustrated with clarity and a strong sense of structure. The Interrupted Club Moss, Marsh Club Moss, and Alpine Club Moss are shown with their characteristic low-growing, branching forms and finely textured foliage. Displayed together, the three prints create a harmonious composition defined by repetition, rhythm, and subtle variation in growth habit.

The engravings were published in 1873 as part of Anne Pratt’s respected botanical works, admired in the Victorian period for their precise engraving and accessible presentation of British plant life. Club mosses fascinated 19th-century botanists due to their ancient lineage and unusual appearance, and these illustrations capture both their scientific interest and quiet decorative appeal. The restrained green tones, set against warm cream paper, give the triptych a calm, almost modern aesthetic despite its 19th-century origin.

As a ready-made triptych, this set is particularly appealing to collectors and interior designers seeking botanical artwork that feels refined and slightly unconventional. It works well in studies, libraries, hallways, or contemporary interiors where understated natural history imagery is desired.

Condition report:
Moderate age toning with light scattered foxing, consistent with age; images remain clear and visually balanced.

Framing tips:
Use matching mats in warm ivory, pale sand, or soft gray. Frames in light oak, natural maple, or slim dark-stained wood will complement the fine branching forms.