Floral Elegance: A Collection of Hand-Colored Engravings from 1845
€ 440
Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1845
Sheet size
26.5 × 17.5 cm (10.4 × 6.9 in)
Condition
Good
Reference
BG-13261-35, BG-13261-41, BG-13261-44
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Good condition. Minor toning due to age and handling, especially around the edges. Please review the images for further condition details.
About this sheet
The engravings presented here are exquisite botanical illustrations from the 'Dictionnaire Classique des Sciences Naturelles', an authoritative work published in Brussels in 1845 under the editorship of the Belgian naturalist Pierre Auguste Joseph Drapiez. This dictionary was a monumental assemblage of natural sciences, standing on the shoulders of giants such as Buffon, Daubenton, Lacepede, Cuvier, and de Jussieu.
Each print in this collection captures the delicate intricacies of its subject with remarkable accuracy and artistic finesse, consistent with the illustrative standards of the time. The first print displays the vibrant 'Portulaca Thellusonii,' a testament to Drapiez's dedication to scientific detail. The second print features the radiant 'Cheiranthus Cheiri,' commonly known as Wallflower, depicted with precision and care. The third and final print in the trio showcases 'Aeschynanthus Grandiflorus,' a plant whose striking appearance is brought to life through the engraver's skilled hands.
These hand-colored engravings are more than just visual delights; they are educational tools designed to complement the comprehensive text, providing scholars and naturalists with visual representations of the subjects discussed. Drapiez’s commitment to scientific authenticity is evident in each stroke and hue, ensuring that each plant is not only aesthetically pleasing but also botanically precise.
The images serve as a bridge between art and science, capturing the essence of 19th-century natural history and the quest for knowledge. They are a valuable resource for understanding the natural world as it was perceived during a time of great explorations and discoveries in botany and biology.
