Whistles on the Wing: The European Teal by Magnus von Wright, 1929

€ 220

Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)

Date: 1929
Sheet size: 39.2 × 29.2 cm (15.4 × 11.5 in)
Condition: Good
Reference: BG-13535-77

What the condition grades mean

Excellent: Bright and clean, with no faults worth mentioning.
Very good: Only light signs of age, such as faint toning.
Good: Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair: Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

Condition

General age-related toning. Blank verso. Please review the images for further condition details.

About this sheet

This original image is a vintage bird print titled 'Anas Crecca', which depicts the European teal. This is a small dabbling duck, known for its striking green wing patch and whistling calls. The artwork comes from "Svenska Foglar Efter Naturen Och Pa Stenritade," a work by Magnus von Wright.

Magnus von Wright, born on June 13, 1805, in Sweden, and passing on July 5, 1868, was a notable Swedish-Finnish artist. Although he was of Swedish birth, much of his influence is recognized in Finland. He was educated in the Swedish Academy of Fine Arts in Stockholm and is celebrated for his contribution to ornithological art, in addition to his work as an educator.

Along with his brothers Wilhelm and Ferdinand, Magnus von Wright contributed significantly to Scandinavian natural history and art. Their collective work is considered important for its scientific accuracy and artistic value. Beyond birds, Magnus's repertoire included landscapes that capture the serene and natural beauty of the Scandinavian environment.

"Svenska Foglar," the source of this print, is one of the significant ornithological works in Swedish literature, and it contributed greatly to the study and appreciation of birds in Sweden and Finland during the 19th century. The prints, characterized by their detail and naturalistic portrayal, were based on careful observation, which was a hallmark of Magnus's approach to illustrating wildlife.