About this sheet
This set of three original antique copper engravings, Plates 110, 111 and 112 from Sonnerat's Voyage aux Indes Orientales et a la Chine, is sold as one set. They are three original sheets sold together as one lot, and the set is never split. Plate 110 shows two titmice on one sheet, numbered 1 and 2, one from the Malabar Coast and one from Nanking, each perched on a twig. Plate 111 shows two larks on one sheet, numbered 1 and 2, the crested lark of the Malabar Coast and the gray lark of Gingi. Plate 112 shows a small titmouse of the Cape of Good Hope shown beside its long purse shaped woven nest hanging from a branch. Each sheet carries its engraved plate number at the upper right, the artist and engraver credits at the foot of the image and its caption lettered beneath.
The sheets come from the Collection de planches pour servir au Voyage aux Indes Orientales et a la Chine, the plate volume issued in Paris by Dentu, Imprimeur-Libraire of the quai des Augustins, in 1806. The plates were engraved on copper after drawings Pierre Sonnerat made in the field between 1774 and 1781, while he served the French crown as a naval commissary at Yanam and Pondicherry and traveled on from India to China, Malacca, Madagascar and the Cape of Good Hope. The images are copper engravings, printed in black on laid paper with a clear plate mark, the lettering cut below each image in the same plate. No color was applied, which is how the volume was issued.
The bird plates run for nearly thirty sheets through the middle of the volume and cover the Coromandel and Malabar coasts, Gingi and Pondicherry, Malacca, China, Madagascar and the Cape. Each bird is drawn at the full height of the plate against a plain ground, usually on a branch or a rock, with the plumage worked up line by line in the engraving. All three sheets are the same size and the same orientation and come from one volume of one book, which is why they are offered as a set and not one at a time. Pierre Sonnerat, born in Lyon in about 1748 and dead in Paris in 1814, was the nephew and private secretary of Pierre Poivre, the colonial administrator who broke the Dutch monopoly on the spice trade. Sonnerat traveled in the Philippines and the Moluccas, in Mauritius and Reunion, and then through India, China, Malacca, Madagascar and the Cape. He drew what he saw, which is why the plates have a directness that engravings worked up in Paris from other men's notes rarely have.
Noticeable uneven toning on some sheets. Marked handling soiling along the edges of all three sheets. Scattered light foxing in the margins of all three sheets. Loss or wear at the corners of two of the three sheets.
These are original antique prints, not modern reproductions. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.
