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Birds · 19th century

Hornbills of Malabar and Gingi, Pair of Antique Bird Engravings, 1806

€ 395

Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)

Date
1806
Mapmaker / artist
Pierre Sonnerat
Publisher
Dentu, Paris
Technique
Copper Engraving
Coloring
Uncolored
Sheet size
28.5 × 21 cm (11.2 × 8.3 in)
Condition
Good
Reference
BG-13429-97
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

Condition

Noticeable uneven toning on some sheets. Marked handling soiling along the edges of both sheets. Scattered light foxing in the margins of both sheets. Slight wear at the corners of both sheets.

About this sheet

This set of two original antique copper engravings, Plates 99 and 100 from Sonnerat's Voyage aux Indes Orientales et a la Chine, is sold as one set. They are two original sheets sold together as one lot, and the set is never split. Plate 99 shows a hornbill of the Malabar Coast perched on a branch, the great bill and the casque above it shown in profile. Plate 100 shows a hornbill of Gingi perched on a branch, the long curved bill and casque drawn in careful profile. Each sheet carries its engraved plate number at the upper right, the artist and engraver credits at the foot of the image and its caption lettered beneath.

Pierre Sonnerat published his Voyage aux Indes Orientales et a la Chine in Paris in 1782, and the plates were reissued in this separate folio volume by Dentu in 1806 under the title Collection de planches pour servir au Voyage aux Indes Orientales et a la Chine. Every image was drawn by Sonnerat himself during the voyage he made for the French crown between 1774 and 1781 and then cut on copper by the Paris engravers who worked for him. They are original copperplate engravings, printed from the intaglio plates onto laid paper. The engraved plate number stands at the upper right, the artist and engraver credits run along the foot of the image and the caption is lettered beneath. The sheets are uncolored, as the plate volume was issued.

The bird plates run for nearly thirty sheets through the middle of the volume and cover the Coromandel and Malabar coasts, Gingi and Pondicherry, Malacca, China, Madagascar and the Cape. Each bird is drawn at the full height of the plate against a plain ground, usually on a branch or a rock, with the plumage worked up line by line in the engraving. Both sheets are the same size and the same orientation and come from one volume of one book, which is why they are offered as a set and not one at a time. Sonnerat is remembered in the names of the things he found. The mangrove genus Sonneratia carries his name, so does the gray junglefowl Gallus sonneratii, and the botanical author abbreviation Sonn. stands for him. He was the first to put the name aye-aye into print, and the name indri entered European use through him as well. The plates in this volume are the record of that work.

Noticeable uneven toning on some sheets. Marked handling soiling along the edges of both sheets. Scattered light foxing in the margins of both sheets. Slight wear at the corners of both sheets.

These are original antique prints, not modern reproductions. This item is sold unframed. Any framed or interior images are shown for presentation and inspiration only, unless the listing explicitly states that the item is sold framed.

More from Birds

Ask about this sheet

Hornbills of Malabar and Gingi, Pair of Antique Bird Engravings, 1806
Hornbills of Malabar and Gingi, Pair of Antique Bird Engravings, 1806
1806 · Ref. BG-13429-97 · € 395
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