Sports & Leisure · 19th century
€ 490
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Overall very good condition. Light age-related toning and minor surface wear consistent with late 19th-century chromolithographs. Clean impressions with good margins.
This original set of three hand-colored Vanity Fair chromolithographs dates from early 1870 and forms a visually coherent and highly decorative horizontal trio. All three portraits are drawn by Carlo Pellegrini, signed “Ape,” whose elegant caricatures defined the look and enduring appeal of Vanity Fair’s political portrait series.
The left print (April 30, 1870, Statesmen No. 48) depicts a senior British legal figure, identified by the original caption as “A keen barrister.” Shown in profile, holding his top hat, the sitter is rendered with sharp intelligence and restraint, a quiet yet authoritative presence well suited to refined interiors.
The central print (May 7, 1870, Men of the Day No. 5) presents a seated gentleman holding his hat, captioned “As straight as a reed.” The relaxed pose, direct gaze, and subtle coloring give this portrait strong visual weight, making it an excellent anchor for the group when displayed together.
The right print (February 12, 1870, Statesmen No. 40) shows a standing statesman with cane and top hat, identified in the original caption as “He was Chairman of Quarter Sessions and reconstructed the Navy.” The figure is depicted full-length, with a dignified stance and measured expression that balances the other two compositions.
Together, the three portraits share a harmonious palette of soft creams, greys, and warm neutrals, allowing them to integrate seamlessly into both classic and contemporary interiors. Offered as a matched suite, they are ideal for hanging above a sofa, console, or along a hallway wall, delivering Victorian character without visual heaviness. The set works particularly well in libraries, studies, and executive or residential interiors seeking historical depth with decorative clarity.
Printed in London in 1870, these works combine period authenticity with timeless graphic elegance. Offered as a set only, they provide an immediate, ready-to-hang wall composition.
Condition report:
Overall very good condition. Light age-related toning and minor surface wear consistent with late 19th-century chromolithographs. Clean impressions with good margins.
Framing tips:
Display as a horizontal trio in matching frames. Soft ivory or warm grey mats with simple black, dark brown, or antique gilt frames enhance the figures and maintain an interior-friendly, architectural look.
Technique: Chromolithography
Maker: Carlo Pellegrini (“Ape”), published by Vanity Fair, London
Date: 1870
