About this sheet
This dynamic set of three original Vanity Fair chromolithographs dates from January 1870 and forms a visually engaging and decorative horizontal trio. All three portraits are drawn by Carlo Pellegrini, signed “Ape,” whose energetic caricatures helped define the bold visual language of Vanity Fair in the Victorian era.
The left portrait (January 22, 1870, Men of the Day No. 4) depicts a dramatically posed figure in mid-motion, captioned “La Voyeurcratie.” The animated stance and theatrical gesture make this print especially eye-catching, adding movement and visual tension to the set.
The central portrait (January 29, 1870, Sovereigns No. 7) shows a standing ruler in hunting attire, holding a rifle, captioned “Il Re galantuomo.” The figure’s confident stance and rich earth tones give this print strong visual weight, making it the natural focal point of the trio.
The right portrait (January 15, 1870, Men of the Day No. 3) presents a seated parliamentary figure holding red-bound documents, captioned “The Parliamentary Empire.” The calm pose and restrained palette balance the more animated left-hand image, completing the composition with authority and composure.
Together, the three works combine movement, symbolism, and political commentary in a harmonious palette of warm browns, grays, and soft neutrals. Displayed as a set, they create an immediate and compelling wall installation, ideal for a study, library, hallway, or above a console or sofa. The contrast between animated and seated figures adds visual rhythm while remaining refined and interior-friendly.
Printed in London in 1870, these chromolithographs offer both historical authenticity and strong decorative appeal. Offered as a matched set, ready to hang as a unified interior statement.
Condition report:
Overall very good condition. Light age-related toning and minor surface wear consistent with late 19th-century chromolithographs. Clean impressions with good margins.
Framing tips:
Display as a horizontal trio in matching frames. Use soft ivory or warm gray mats with simple black, dark brown, or antique gilt frames to emphasize the figures while maintaining a clean, architectural look.
