Religion · 19th century
€ 180
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Excellent condition. The image is clean and finely preserved. A strong impression with rich tonal detail from the original fusain drawing.
Saint Anthony's Gate in Amsterdam, 1882 heliogravure by Maxime Lalanne
This original 1882 heliogravure, based on a charcoal drawing (fusain) by renowned French artist Maxime Lalanne, depicts 'La Porte Saint-Antoine' — the historic Sint Antoniespoort in Amsterdam.
The view forms part of the beautifully illustrated publication 'La Hollande à vol d’Oiseau' ("The Netherlands from a Bird’s Flight"), authored by the Dutch art historian Henry Havard and published in Paris by Decaux and Quantin.
Lalanne, celebrated for his masterful etchings and atmospheric charcoal studies, brings a deep sense of mood and urban grandeur to this print. The photogravure technique (heliogravure), which reproduces the subtle tonal range of Lalanne’s original charcoal, captures the smoky textures and delicate architectural detail with superb fidelity. In the foreground, horse-drawn carts, townsfolk, and dockside activities animate the Damrak, Amsterdam’s historic trade artery, while the Gothic tower of the Oude Kerk anchors the skyline, asserting the city's religious and civic heritage.
The image measures approximately 17.5 x 12 cm (6.9 x 4.7 inches), while the full sheet measures 28.5 x 20 cm (11.2 x 7.9 inches). The print was issued as part of a broader cultural project celebrating the Netherlands’ urban and architectural beauty through the eyes of prominent French artists.
This plate is not just an aesthetic work but a historical record—capturing Amsterdam during a period of significant modernization, when the city still held much of its 17th-century character. The print is ideal for collectors of Amsterdam views, antique European cityscapes, or connoisseurs of 19th-century French printmaking.
Condition Report:
Excellent condition. The image is clean and finely preserved. A strong impression with rich tonal detail from the original fusain drawing.
Framing Tips:
Best presented in a simple dark wood or black frame with UV-protective glass. Use a warm off-white or light grey mat to accentuate the charcoal textures. A float mount is also suitable if you wish to display the full sheet and plate mark.
