About this sheet
Lithograph portrait of theologian David Friedrich Strauß by J.D. Steuerwaldt, ca. 1860
This antique lithograph depicts David Friedrich Strauß (1808–1874), one of the most influential and controversial German theologians of the 19th century. Strauß became renowned for his groundbreaking work Das Leben Jesu, kritisch bearbeitet (The Life of Jesus, Critically Examined), published in 1835–36, in which he applied historical-critical methods to the New Testament. His writings shook European theology and established him as a central figure in debates over faith, history, and philosophy.
The portrait shows Strauß in midlife, dressed in formal attire with a dark coat and high-collared shirt. His serious expression and direct gaze reflect both his intellectual determination and the weight of his reputation as a controversial thinker. At the lower right, the lithograph is signed in the stone: “Steend. van J. D. Steuerwaldt”, indicating the Hamburg lithographer Johann Daniel Steuerwaldt (1808–1865).
This lithograph was likely published around 1860, at a time when Strauß’s reputation was again the subject of public attention. His later works, including Der alte und der neue Glaube (1872), would continue to spark theological and philosophical controversy across Europe. The choice to reproduce his likeness in lithography reflects the growing culture of portrait prints celebrating intellectuals and public figures in the mid-19th century.
The print is characteristic of Steuerwaldt’s portrait style, with finely modulated shading that brings volume and realism to the sitter’s features. The tonal transitions, particularly in the face and clothing, show the lithographer’s mastery of stone printing as a medium capable of capturing personality as well as likeness.
This portrait holds significance not only as a work of art but also as a historical document of one of the most radical theological voices of 19th-century Europe. It would appeal strongly to collectors of portraiture, theology, German intellectual history, or those interested in the visual culture of religious debate in the 1800s.
Condition report:
Light foxing and mild age-toning visible across the sheet, particularly in the margins, consistent with age. The printed image remains sharp and clear, with strong contrasts. No tears or losses.
Framing tips:
The portrait would benefit from an elegant but understated presentation. A cream or ivory archival mat will complement the soft tones of the lithography, while a dark wood or black frame will lend gravitas. A gilt frame could also enhance its 19th-century intellectual aura.
Technique: Lithograph
Maker: Johann Daniel Steuerwaldt (1808–1865), Hamburg, ca. 1860
