About this sheet
Antique engraving portrait of Hugues de Lionne, French statesman, c. XVII century
This engraved portrait depicts Hugues de Lionne (1611–1671), Marquis of Fresnes, Lord of Berny, and one of the most prominent diplomats of 17th-century France. The inscription beneath the portrait, in Italian, identifies him as Commander of the Royal Orders, Counsellor, Secretary, and Minister of State. Engraved by Mauritius Lang, the plate is numbered “91,” indicating its place in a published series of notable figures.
De Lionne was a key figure in French foreign policy under both Louis XIII and Louis XIV. He rose to prominence as a close collaborator of Cardinal Mazarin and became Secretary of State for Foreign Affairs in 1663. His most significant achievement was his central role in negotiating the Treaty of the Pyrenees in 1659, which ended the protracted Franco-Spanish War. The treaty not only secured peace but also arranged the politically vital marriage between Louis XIV and Maria Theresa of Spain, strengthening Bourbon influence in Europe.
The portrait shows De Lionne in formal attire with long curled hair, a lace collar, and the sash and star of the Order of the Holy Spirit, the highest French order of chivalry. His composed expression and confident bearing reflect his importance as a diplomat and statesman who shaped the political landscape of his age.
Mauritius Lang, the engraver, was active in the 17th century and produced finely executed portraits of leading figures for printed series intended for scholars, collectors, and libraries. This engraving embodies both the artistic precision of the period and the enduring interest in the leading statesmen of Louis XIV’s France.
For collectors of French history, political figures, or Baroque portraiture, this piece offers both historical depth and decorative presence.
Condition report:
Good impression with strong lines. Minor toning and small foxing marks, particularly in the outer margin. slightly wrinkled. Plate mark clearly visible.
Framing tips:
Best suited to a traditional presentation with a cream or warm ivory mount and a gilt or ebonized wood frame. This enhances the oval portrait format and highlights the crisp detail of the engraving. Darker wall colors, such as deep red or charcoal, would complement its dignified tone.
Technique: Engraving
Maker: Mauritius Lang, circa XVII century