Mr Musters, French Belle Époque Horse Racing Satirical Chromolithograph, 1885
€ 395
Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1885
Mapmaker / artist
Antoine Bisetsky, France, dated 1885
Technique
Chromolithograph (facsimile of watercolor)
Sheet size
40 × 28.5 cm (15.7 × 11.2 in)
Condition
Good
Reference
BG-14232-3
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Age-related foxing and light spotting visible primarily in margins, with overall toning consistent with nineteenth-century paper. Colors remain bright and attractive. Minor handling wear commensurate with age.
About this sheet
Mr Musters, French Belle Époque Horse Racing Satirical Chromolithograph, 1885
This lively French chromolithograph caricature titled “Mr Musters” forms part of the humorous illustrated series Album Comique, produced in Paris during the late nineteenth century and attributed to the caricaturist Antoine Bisetsky (1817–1892). Executed as a facsimile after an original watercolor, the print combines refined chromolithographic color printing with the playful exaggeration characteristic of Belle Époque satire, presenting a humorous portrait drawn from aristocratic and sporting culture.
The composition depicts a stout gentleman rider mounted on a dynamically leaping black horse, raising his top hat in greeting while clearing a rustic obstacle in the countryside. The exaggerated proportions, theatrical gesture, and stylized landscape convey the lighthearted visual language of contemporary French caricature, where recognizable personalities from elite society were transformed into symbolic figures embodying social habits, leisure pursuits, and personality traits. The equestrian theme places the subject within the fashionable world of horse racing and sporting aristocracy, a popular source of satire and fascination in late nineteenth-century Paris.
The chromolithographic technique demonstrates subtle tonal transitions and rich color layering designed to imitate watercolor painting, emphasized by the inscription “Fac-similé d’Aquarelle.” The sheet bears the printed date “10 Novembre 1885” and belongs to the second year (“2ème Année”) of the Album Comique series, which included portraits of figures connected with racing, military life, and high society. These prints were issued individually and sometimes housed in publisher’s tubes, making surviving examples appealing to collectors of Belle Époque caricature as well as decorative art buyers.
From a decorative perspective, the strong diagonal movement of the horse and rider creates visual energy that translates well into interior design contexts. The bold color contrast between the rider’s red coat and the dark horse adds focal strength, making this plate particularly suitable as a standalone statement piece or as part of a curated group of related caricatures.
Condition report: Age-related foxing and light spotting visible primarily in margins, with overall toning consistent with nineteenth-century paper. Colors remain bright and attractive. Minor handling wear commensurate with age.
Framing tips: A dark walnut or ebonized frame paired with a generous ivory or off-white mat enhances contrast and elevates presentation for luxury interiors. Suggested mat width approximately 6–8 cm (2.5–3 inches). Museum glass recommended.
