Architecture & Design · 19th century
€ 220
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Very good condition. Vibrant colors. Minor spots of age toning along the right edge. No tears, foxing, or restoration.
Celtic Knotwork and Borders – Antique Print of Interlacing Patterns, c.1869
This striking chromolithograph from Plate XXXVIII of L'Ornement Polychrome offers a meticulously curated collection of Celtic designs, showcasing the intricate interlace and spiraled motifs that define early Insular art. Set against a creamy parchment-like background, the bold palette of red, gold, green, and black brings out the rhythmic elegance of these timeless forms.
These patterns are emblematic of the Celtic decorative tradition seen in illuminated manuscripts like the *Book of Kells* or *Lindisfarne Gospels*, as well as in early Christian stone crosses, metalwork, and carvings throughout Ireland, Scotland, and Wales. The print includes endless knots, triquetras, and zoomorphic coils, all demonstrating the ancient Celtic mastery of line and geometry.
Centered around elaborate rectangular and square panels, the design selections vary from narrow woven borders to more densely packed knotwork fields. Each composition is balanced and symmetrical, revealing the symbolic emphasis on eternity, continuity, and protection—concepts intrinsic to Celtic spiritual belief systems.
Lithographed by Paulmier and printed by Firmin-Didot, this plate is part of Albert Racinet’s influential *L'Ornement Polychrome*, a 19th-century encyclopedic project that documented ornamental design from cultures around the world. The Celtic plate reflects the 19th-century European fascination with revivalist styles and provides an important visual resource for designers, historians, and collectors today.
A superb decorative piece and an inspiring reference for those working in tattoo design, graphic arts, or Celtic studies.
Condition: Very good condition. Vibrant colors. Minor spots of age toning along the right edge. No tears, foxing, or restoration.
Framing tips: Pairs beautifully with a dark oak or black frame and a cream or sage green mat to echo the earthy tones of the Celtic palette.
Technique: Chromolithograph
Maker: Firmin-Didot, Paris, after Albert Racinet, c.1869
