Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)
Date
1721
Mapmaker / artist
Bernard de Montfaucon, France / London, 1721
Technique
Engraving
Sheet size
42.3 × 25.5 cm (16.7 × 10.0 in)
Condition
Good
Reference
BG-14184-1-27
What the condition grades mean
Excellent
Bright and clean, with no faults worth mentioning.
Very good
Only light signs of age, such as faint toning.
Good
Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair
Clear faults such as staining, tears or repairs, priced to match.
Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.
Condition
Original 18th-century engraving on laid paper. General age-related toning and light spotting, consistent with early folio plates. Impression slightly soft in places, typical for the work. Overall condition sound and attractive for display.
Description This large-format engraved plate originates from Bernard de Montfaucon’s landmark antiquarian work Antiquity Explained and Represented in Sculptures, Volume I, published in London in 1721. The composition brings together a carefully curated selection of classical Roman sculptures, relief figures, and engraved medals, presented in Montfaucon’s characteristic scholarly yet highly decorative layout.
Across the sheet, full-length sculptural figures are juxtaposed with finely engraved profile heads and medal studies, creating a visually rich overview of Roman artistic language. Standing figures reference celebrated antique statues, while the circular medallions reproduce ancient coins and portrait busts, offering insight into imperial iconography, hairstyle conventions, and symbolic attributes. This combination of sculpture and numismatic imagery was central to Montfaucon’s project: to reconstruct the visual world of antiquity through surviving objects.
Although conceived as an academic reference plate, the sheet reads exceptionally well as a decorative object. The generous scale, rhythmic arrangement of forms, and calm classical balance give it strong presence on the wall. Framed, it functions as an architectural accent rather than a small illustration, making it especially suitable for interior designers, libraries, studies, hotel corridors, or gallery-style interiors seeking an understated but authoritative classical statement.
Montfaucon’s Antiquity Explained is regarded as one of the foundational works of modern archaeology and art history. Plates from the first English edition are increasingly sought after for their historical importance, refined engraving, and timeless decorative appeal.
Condition report Original 18th-century engraving on laid paper. General age-related toning and light spotting, consistent with early folio plates. Impression slightly soft in places, typical for the work. Overall condition sound and attractive for display.
Framing tips This plate benefits from scale-conscious framing. A wide off-white or warm ivory mat enhances the classical character, paired with a simple dark walnut, black, or antiqued gilt frame. Museum glass is recommended to protect the paper while maintaining clarity.
