About this sheet
Antique Persian-Arabic Tile Design Print in Blue, Glazed Ceramic Wall Pattern, 1887
This striking antique print showcases a refined example of Persian-Arabic ceramic wall decoration, originally designed in glazed earthenware. Published in 1887 as part of the influential design reference Der Ornamentenschatz (The Treasury of Ornament), compiled by H. Dolmetsch and printed by Julius Hoffmann in Stuttgart, this chromolithographic plate captures the elegance and complexity of Islamic decorative traditions.
The artwork depicts an architectural panel composed of floral and geometric motifs, with symmetry and harmony at its core. Rendered entirely in soft blue ink on a warm ivory background, the design consists of a large, central composition framed by stylized cypress trees and floral borders. The focal element features a fountain at the base, from which two large, intricately patterned vases emerge, overflowing with stylized blossoms, palmettes, and arabesques that spiral outward in carefully structured balance.
These patterns are not merely decorative but are deeply rooted in Islamic aesthetics, where repetition, symmetry, and vegetal motifs are imbued with spiritual symbolism. The use of blue evokes the serene and sacred tones often found in Persian tilework, particularly in mosques and palaces from the Seljuk, Ilkhanid, and Safavid periods. Every element is delicately drawn, suggesting the meticulous craftsmanship that would have been required to execute such a design in actual ceramic tile or painted stucco.
This plate offers an invaluable historical record of traditional Middle Eastern wall ornamentation and would have served as a model or inspiration for architects, designers, and artisans during the late 19th century when interest in Islamic art surged across Europe.
The print is in good antique condition with even toning and no tears or creases. The blue tones remain sharp and elegant, and the paper is clean and stable. A small number of faint spots may be present, consistent with its age. The verso is blank.
Framing Tips:
To highlight the delicate detail of this composition, choose a white or light cream mat with a narrow silver, natural wood, or deep indigo frame. The print works beautifully in interiors that favor classical, Mediterranean, or Islamic-inspired aesthetics. It can be displayed as a focal point or as part of a curated wall of architectural or textile-inspired prints. Adding museum glass will enhance clarity and protect the fine detailing for years to come.
