Botany · 19th century
€ 140
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
Good condition with vibrant colours and light age toning at edges. Wrinkled on the right border, but outside the framing area.
Spiked Speedwell and Alpine Catchfly hand coloured botanical print 1874
This elegant hand coloured botanical print from 1874 features two beautifully illustrated alpine plants, Veronica spicata and Lychnis alpina. It was published in London by George Bell and Sons as part of the second series of Alpine Plants, a classic Victorian work that blends scientific study with artistic excellence.
On the left is Veronica spicata, commonly known as Spiked Speedwell. This hardy perennial is native to Europe and parts of Asia, thriving in meadows and dry slopes. It is known for its tall spire of vivid violet blue flowers and sharply toothed green leaves. The lithograph shows the plant in full bloom, with detailed shading and fine colour transitions that bring out the depth of each petal.
To the right is Lychnis alpina, or Alpine Catchfly. Found in arctic and alpine regions, this low-growing species features delicate pink star-shaped flowers held above a neat base of lush green foliage. The name Catchfly refers to the sticky stems that were once believed to trap insects, although the plant is primarily cultivated today for its ornamental beauty and ability to thrive in rocky soil.
Each lithograph in the Alpine Plants series was individually hand coloured after printing, making each plate slightly unique. The quality of the colouring on this print is exceptional, with strong contrasts and subtle natural tones. The paper is thick and has lightly aged to a soft ivory, with clean margins and only minimal signs of wear.
This print is ideal for framing and would suit both classic and contemporary interiors. It makes a thoughtful gift for garden enthusiasts, botanical collectors or anyone who appreciates historical art focused on nature.
Condition summary and framing tips:**
Very good condition with crisp detail and natural toning. Recommended with a soft ivory or dusty rose mat and a light wood or silver frame to complement the flower colours and preserve the botanical charm of the artwork.
