Antique English Landscape Etchings, Cottage & Trees – Sherlock, 1811

€ 345

Original antique · The actual sheet photographed · Certificate of authenticity on request · Sold unframed · Worldwide shipping from € 15 (rates)

Date: 1811
Mapmaker / artist: W. P. Sherlock after D. Cox & C. Barber, England, 1811
Technique: Copperplate engraving
Sheet size: 24.4 × 30 cm (9.6 × 11.8 in)
Condition: Good
Reference: BG-14273-2 & BG-14273-6

What the condition grades mean

Excellent: Bright and clean, with no faults worth mentioning.
Very good: Only light signs of age, such as faint toning.
Good: Normal signs of age for a sheet of this period: toning, some foxing, small marks or neat old repairs.
Fair: Clear faults such as staining, tears or repairs, priced to match.

Every fault we see is written in the condition note, and the whole sheet is shown uncropped in the photos.

Condition

Good condition for age. General light toning and minor spotting consistent with early 19th-century paper. Margins slightly irregular with occasional small edge wear. No major tears observed. Plate marks not strongly visible. Overall very presentable.

About this sheet

Antique English Landscape Etchings, Cottage & Trees – Sherlock, 1811

A refined pair of early 19th-century English landscape etchings, delicately rendered and published in 1811, capturing the quiet poetry of the rural countryside.

The first composition presents a tranquil riverside scene framed by a group of windswept trees, their expressive forms reflected in still water. The second depicts a rustic cottage set along a winding country track, animated by dramatic cloud formations and subtle tonal contrasts. Together, they form a harmonious visual dialogue between nature and habitation—an enduring theme in British Romantic landscape art.

Both prints were etched by W. P. Sherlock after designs by D. Cox and C. Barber, artists associated with the English landscape tradition that would later influence figures such as Constable and Turner. The engravings demonstrate fine linear work and soft atmospheric shading, creating depth and movement despite their restrained monochrome palette.

Published by T. Palser, Surrey Side, Westminster Bridge, in 1811, these works reflect a period when topographical and pastoral imagery became increasingly popular among collectors and travelers. Their intimate scale and balanced compositions make them particularly suitable for interior decoration.

Presented as a pair, these etchings offer excellent versatility—equally effective in classic, contemporary, or hospitality interiors. Their neutral tones and subject matter lend themselves beautifully to symmetrical hanging arrangements.

Condition report:
Good condition for age. General light toning and minor spotting consistent with early 19th-century paper. Margins slightly irregular with occasional small edge wear. No major tears observed. Plate marks not strongly visible. Overall very presentable.

Framing tips:
These prints benefit from wide ivory or off-white mats paired with thin dark walnut or ebonized frames. Hang as a symmetrical pair with moderate spacing to emphasize balance and calm. Works particularly well in studies, hallways, or above consoles in neutral interiors.

Note: This is an original antique engraving and not a reproduction. The prints are offered unframed. Frames shown for presentation purposes only.