Birds
€ 220
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
‘Title: 1. BREVE PITTOIDE, 2. SCYTHROPS PRESAGEUR, 3. EURYLAIME CORYDON.’ ‘ – (1. Pitta-like Ground-roller, 2. Channel-billed Cuckoo, 3. Dusky Broadbill.)
Engraving with original hand colouring, heightened with arabic gum on wove (vellin) paper.
Step into the enchanting world of avian splendor with this extraordinary antique bird print, a captivating masterpiece featuring the timeless elegance of three exquisite bird species: the Pitta-like Ground-roller, the Channel-billed Cuckoo, and the Dusky Broadbill.
Vibrant and meticulously depicted, each bird is a testament to nature's artistry, meticulously captured in this exquisite print. The Pitta-like Ground-roller dazzles with its rich hues and remarkable resemblance to the iconic Pitta family, evoking a sense of wonder with its vivid plumage and terrestrial grace.
The Channel-billed Cuckoo shows stunning detail, showcasing its unique features and the distinct allure of its majestic bill.
Finally, the Dusky Broadbill, with its subtle yet mesmerizing appearance, graces the print, showcasing its beauty and delicate nature. Its presence adds depth and sophistication to this breathtaking composition, inviting admiration for its intricacies.
This antique bird print isn't just an artwork—it's a captivating narrative of avian elegance and natural beauty. Whether you're a seasoned ornithologist, an art enthusiast, or someone captivated by the wonders of nature, this print is an exquisite addition to any collection, adding a touch of timeless allure and grace to your space. Don't miss the opportunity to bring home this extraordinary piece that encapsulates the splendor of these magnificent avian wonders.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
