Birds
€ 190
One of a kind: this is the sheet in the photographs. Ships from Langweer, the Netherlands.
good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
The antique print features three captivating bird species: the Ara Tricolore, the Black Sunbird, and the female Argus Pheasant. Each bird is intricately depicted with detailed precision and vibrant hand-colored illustrations, creating a visually captivating ensemble.
The Ara Tricolore, known for its colorful plumage and striking appearance, is portrayed in all its vibrancy. Its distinct red, blue, and yellow feathers stand out against a lush backdrop, showcasing the bird's majestic presence and vivid hues.
The Microoglosse Noir, or Black Sunbird, is captured with intricate detailing, displaying its glossy black plumage that glistens under the light. Its delicate features and slender form are portrayed in a poised and elegant stance, radiating an aura of gracefulness.
Finally, the female Argus Pheasant, the Argusianus argus, is depicted with subtle yet captivating plumage, showcasing its understated beauty. Its muted colors and intricate patterns are portrayed in a natural setting, offering a glimpse into the elegance of this female species.
This antique print celebrates the diversity and beauty of these avian wonders, showcasing their individual characteristics and unique allure. With meticulous hand-colored detailing and artistic precision, the artwork captures the essence of each bird, inviting viewers into the enchanting world of ornithology and natural beauty.
Engraving with original hand colouring, heightened with arabic gum on wove (vellin) paper.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
